Saturday, November 1, 2014
Please consider bidding on my donation to the National Storytelling Network's Autumn Auction:
Author/Storyteller/Playwright Linda Goodman's one-woman show Daughters of the Appalachians introduces six unique women, each of whom offers a rare glimpse of a culture that is fast fading away. Meet Harlene, whose dog is both her anchor and her best friend; Boojie, whose star-crossed lover changed her life; Nellveda Hawkins, who may or may not be the devil incarnate; Sara Jane, a woman who understands true beauty; Jessie, who should have been more careful with her wishes; and Martha Potter, an elder who understands simple truths. As you share their joys and sorrows, these women will touch your soul and live in your heart.
"So far the show has been a perfect storm: a worthy original production, based on character studies of people who often get overlooked by mainstream America, produced at a time when they have been thrust front and center on the national stage."
-J.C. Lockwood,Newburyport Current, Jan. 13, 2006
90 minute performance with one intermission, valued at $750. Starting bid: $250
Linda Goodman will donate up to 2 hours travel by car. Purchaser must pay for travel more than 2 hours away.
Overnight lodging must be provided if an evening show is desired.
To bid on this item, go to http://storynet.org/auction/
All proceeds of this auction will go towards NSN Member Grants.
Wednesday, October 29, 2014
© Linda Goodman, October 2014
In January 7, 1978, two days after my daughter’s sixth birthday, I invited my parents to dinner for a late birthday celebration. I took them to my father’s favorite place to eat, the York Steak House at Tower Mall in Portsmouth, Virginia.
A good meal and a good time were had by all… until the waiter brought the check. The amount was about what I had figured it would be. What I had not taken into account (because I did not know) was that the York Steak House did not accept credit cards, and I had no cash on my person.
My father said it was no big deal. He would take care of the check. My mother, however, felt differently. She was angry and accused me of purposely not bringing any money with me. I could see that she was on the verge of creating a scene, so I stepped outside to wait, as my parents and my daughter stayed inside until the check was paid.
As I waited, I noticed a man approaching me. I guessed he was in his mid thirties. His black hair was plastered back on his head with Brill Cream. He was of medium height and weight, and he was wearing a thin, tan jacket and khaki pants. His right arm was in a sling.
“Hi,” he greeted me, “I’m wondering if you can give me a hand? I have some packages I am trying to get into my van, and this bum arm is giving me a problem. Will you please come out to the parking lot with me and give me some help.”
Normally, I would not have hesitated to help this man, but two things occurred to me: he spoke in a monotone, with no inflection at all in his voice; and why hadn’t he asked the man standing across from me for help? That man was certainly much bigger and stronger than me.
Then I looked into the man’s eyes and my blood ran cold. His pupils were dilated to the point that his eyes looked black. No emotion, good or bad, shone through them; only a dead, remote stare. My instincts told me to beware.
But what if my instincts were wrong? I did not know how he had hurt his arm. What if he had hit his head at the same time? Could that be the reason behind the emotionless voice and the dazed stare?
I found the perfect compromise between my alert instincts and my soft-hearted compassion. “My father is inside the restaurant paying our bill,” I told the man. “Wait here with me for a few minutes, and we will both help you.”
The man who had been standing across from me had walked away by this time. The man with the sling took another step toward me, but stopped suddenly, turned, and walked quickly away as he saw my father coming out of the restaurant door.
“Who was that?” my father asked me.
“I don’t know,” I answered, “but you can be sure that he was up to no good.”
I shared this story with people as the years passed. I saw it as a cautionary tale and used it to warn naive, unsuspecting girls (like myself) to pay attention to their instincts; to keep one eye open for suspicious signs, while pondering compassion for a stranger.
In 2006 a friend gave me a copy of Ann Rule’s book The Stranger Beside Me. The book was about serial killer Ted Bundy. I read with interest that was spiced with terror as Rule painted a picture of a man who was a master at finding clever ways to lure women into his death traps. One thing that worked time and time again was to put his arm in a sling and ask for help. His prey of choice was young women with long, dark hair parted down the middle.
I remembered that evening as I stood outside the York Steak House, my long, dark hair parted down the middle. I remembered the brooding man with his arm in a sling. He could not have been Ted Bundy, I told myself. Bundy was incarcerated in Utah in 1975.
But as I read on, though, I discovered that Bundy had escaped from prison twice. The second time was on December 30, 1977. By January 2, 1978, he was in Ann Arbor, Michigan. Five days later he stole a car and drove it to Atlanta, where he boarded a bus and arrived in Tallahassee, Florida on January 8.
Bundy could very well have come through Virginia as he drove from Michigan to Atlanta. Could he have been the man who approached me on the evening of January 7, 1978? I turned to the headshot of Bundy at the back of the book. The photo was black and white, and thirty-eight years had passed. He looked like the man, but I could not be sure. One thing I do know: the black, dead, remote eyes were identical. Could two men have had those same eyes? I do not know; but I have learned to always follow my instincts, which tend towards the paranoid these days. On January 7, 1978, I believe, those instincts saved my life.
Monday, October 6, 2014
I had a great time at the National Storytelling Festival in Jonesborough, TN this past weekend (10/3-5). I carpooled with Martha Reed Johnson and Faye Fulton. We arrived late on Friday, due to an accident that turned I 40 into a parking lot for 1 1/2 hours, but the company and the festival made up for that.
It was lovely to experience performances by Tim Tingle and Kevin Kling with my minister, Steve Rembert, and his wife Betsy. Tim shared Crossing Bok Chitto: A Choctaw Tale of Friendship & Freedom, a favorite of all Tingle fans. Kevin shared a personal story about a school snow day gone bad. Suffice it to say that it was not a pleasant experience, but Kevin made it darned funny, in spite of that.
I was late making it to the Exchange Place, so I did not get to see Linda Gorham and Pete Griffin perform, but I heard that they were both wonderful. Cathy Jo McMaken did a great job updating an old folktale about how easily men can be fooled by the wives they love. I loved Catherine Conant’s personal story about auto accidents and changing relationships. John Thomas Fowler’s story of his Appalachian grandmother and her marriages was both entertaining and enlightening. Will Hornyak had the audience in stitches. He certainly knows how to command the stage, as well as tell darn good story.
The Friday night ghost stories were chilling, but so was the night air. I was never quite sure from which source my shivers were coming. I do know that Leeny Del Seamonds’ telling of The Jersey Devil is the stuff that nightmares are made of. Connie Regan Blake began the night with some much appreciated comic relief from a story that did not end as expected. International New Voice Daniel Morden’s rendition of Mr. Fox was enthralling.
On Saturday, I got to hear Susan O’Halloran for the first time, and what a treat that was! Pot of Gold: Irish Stories and Songs allowed listeners to get to know Susan, her family, and Ireland itself; with laughter, wonder, and tears along the way.
Carol Birch told two chapters from Grapes of Wrath. Her telling of this John Steinbeck classic resonated with me in a way that I cannot describe in words. It opened up a Pandora ’s Box of emotions for me. Two days later I am still thinking about the kind waitress, the starving children, and the compassionate truckers to whom Carol introduced us. Even if it had been the only story I had heard all weekend, it would have made the travel glitches, the expense, and the time from home worthwhile. Since I began telling stories in 1987, there have been four stories that have haunted me, that I have thought about every day. Now there are five.
Regi Carpenter’s Snap, the story of a teen’s descent into madness and her subsequent recovery, was ELECTRIC!! The standing ovation she was given was well deserved. Tim Lowry also received a standing ovation for his performance of Charles Dickens’ A Christmas Carol, which was pitch perfect, train and all.
New Voice Kate Campbell said that there were “three things about the South: place, religion, and race,” and then proceeded to sing about those very things in a voice so sweet and clear that I entered a state of tranquility that I did not want to leave behind. I especially enjoyed the song she wrote as a tribute to To Kill a Mockingbird. Favorite Kate Campbell quote: “It’s not who you know, it’s who you know that knows somebody.”
Other than a tiny bit of gray in his hair, New Voice Tom Lee seemed not to have aged at all in the 20 years since I last saw him. He still moves gracefully and easily on the stage, and he still has that deep, rich voice I remember so well.
Tickets to Megan Wells’ performance of Bram Stokers’ Dracula sold out before I could buy one. My bad. Everyone that I know who saw it said that it was phenomenal. I did not go to either of the midnight cabarets, as I did not bring clothes that would keep me warm in 37 degree weather. Again, my bad. Martha and Faye said that Antonio Sacre’s The Next Best Thing was “amazing.”
Sunday morning found me at Jonesborough United Methodist Church listening to a powerful story sermon delivered by Geraldine Buckley. Boyd introduced Geraldine, saying that she was “cute as a puppy dog, but twice as lovable.” Favorite quotes from Geraldine: “If you want to hear God’s laugh, tell him your plans;” (when explaining to her Catholic mother why she wanted to be a Pentecostal minister) “I was called to preach, and I can’t afford a sex change.” Vintage Geraldine.
I heard a second story sermon, delivered by Tim Lowry, at the Sacred Story olio. His story The Manger Scene took listeners on a hilarious trip down memory lane that demonstrated just what the faith of a child, and some small sacrifices, can do. I can still see the image in my head when Tim realized that the Christ child slept where the rats had eaten. Chilling.
After that, I started running into friends, some of whom I have not seen since I left New England in 1998. I also ran into several of my Virginia friends. I had such a good time catching up that I did not attend performances again until the latter part of the final showcase olios. I found a seat just in time to see Donald Davis take the stage and transform himself into a young boy who falls into mischief. He does this so well that I honestly saw a young boy, not a man from my own generation, on the stage. I have been listening to Donald tell stories since 1989, and his stories are just as fresh now as they were then.
I wish I could have heard more of Megan Wells. I loved her story about a family trip with a father who “went out of his way to go out of his way.”
There were some tellers I did not get to see and hear, so I cannot write about them. Maybe next time.
One final thing about the festival: for the first time is my life, I ate a piece of funnel cake, then another, and another. I ate seven pieces of funnel cake. It was so good I almost bought a whole funnel cake. I have been thinking about funnel cake ever since.
We left the festival at 5:30 and ran into heavy traffic on I 26 East. I did not arrive at my house until 1:00 a.m. Was the festival worth that aggravation? YES!!!
Sunday, September 28, 2014
Are you ready to join in the fun of the National Storytelling Network's (NSN) Autumn Online Auction? Interested in shopping for unique gifts from the comfort of your own computer? Now’s your chance!
The third annual NSN Autumn Online Auction will take place November 1-12, 2014. This auction raises funds for the NSN Member Grants program, which distributes funding to worthy storytelling projects carried out by NSN members across the country. Please note that although you will need to be a current NSN member prior to October 31, 2014 in order to apply for a 2015 NSN member grant, you do not need to be an NSN member to participate in the fun of the NSN Autumn Online Auction.
That’s right-- the NSN Autumn Online Auction is open to everyone!
We are currently seeking donations through Wednesday October 1st. Make your donation commitments in preparation of the frenzied (but friendly!) bidding wars with fellow story lovers. We are seeking items of $35 or higher bid value that storytellers or friends of storytellers would love to get their hands on for themselves or a one-of-a-kind holiday gift.
Suggestions of the kind of auction items we are seeking include quilts and wall hangings, paintings, hand-crafted jewelry, wearable art, storytelling services of all types (marketing, recording, coaching, photography, videography, etc.), festival & conference or retreat registrations, autographed editions of books & CDs (bundled to meet $35 minimum bid), gift baskets, vacation home or timeshare getaways, and more.
We would welcome any contribution to this cause that you can provide. Please help us seek donations outside of the storytelling community – it’s amazing how many people are willing to donate when asked, excited for the exposure to their business.
If you have an item or service you would like to donate, please email firstname.lastname@example.org no later than October 1st with the following information:
* your name and contact information (email and phone)
* description of item
* digital photo of the item
* approximate actual value of the item
* a suggested minimum bid amount (requesting $35 + to be worth the cost of the administrative time to post)
* whether you would be willing to donate shipping or prefer buyer pay shipping (and insurance if required).
Important: Do not mail any items to the NSN office. At the end of the auction, there will be direct mailing from donor to auction winner.
The auction will run from November 1st-12th so we’ll ask you to spread the word far & wide as that date gets closer. We look forward to a fun online event to support good work through storytelling, but we need your donations to make it happen! Donation Notification Deadline: October 1
Any questions? Please contact Karin Hensley in the NSN office at 800-525-4514 or email email@example.com
NSN Board Member
Friday, August 22, 2014
At the International Storytelling Center in Jonesborough, Tennessee
September 16-20, 2014; 2:00 pm daily
This information may be subject to change; Stories in parenthesis are alternates.
Tuesday: A Little Bit of Kindness….
The Olive Branch
The Bus Ride
Wednesday: Daughters of the Appalachians
Thursday: Memories of a Former Kid
Tale of Two Teachers
Nickels For Dimes
(The Other Linda Goodman)
Friday: Rites of Passage
The Dismal Swamp
Saturday: Scenes from the Dim Smokey Past
The Mustard Seed
The Marriage Contract
(Buyer Beware; No Elvis)
Friday, August 8, 2014
(c) 2014 Linda Goodman
I was happy to see Katie Knutson's article A Handful of beans or One Gold Coin: How to Price Your Work in the August/September issue of Storytelling Magazine. Lots of good advice there.When I first started telling professionally in 1989, NAPPS (The National Association for the Perpetuation and Preservation of Storytellinghad had just released a survey that stated that good beginning storytellers averaged $100 for a one hour show. Based on that info, I began using that rate and it worked well for me in those days.
The first storyteller I ever heard was "G", and she was beyond wonderful. To this day she remains one of my favorite tellers. But G was one of the fortunate few who worked for an organization that paid her a yearly salary (with benefits) to go to schools and libraries to tell stories. She retired a few years after I first heard her, but she decided to continue telling stories on her own with a less strenuous schedule.
One day I received a phone call from an elementary school that wanted me to tell stories to its students. When I quoted my fee (by this time, in 1999, $150), the woman gasped. "But G charges only $50.00!" After a short period of silence, she added, "But she LOVES what she does."
I explained to her that I also loved telling stories, but, unlike G, storytelling was my only source of income. G, on the other hand, had a pension and medical insurance, which she received whether she told stories or not. I also mentioned that I could not with good conscience undercut my fellow tellers. The two of us began dickering and finally agreed that I would tell for G's fee, but for only 30 minutes, on the condition that if I was ever asked back to the school, I would get paid my full fee. I could live with that. It was like I was getting paid to audition. I was actually asked back to that school numerous times before I left New England, and even afterwards.
When I move to different areas of the country (I have done this four times since 1989), I enjoy working locally. I usually ask some of my fellow tellers what the range of fees is for the region. I ask only because I do not want to undercut another teller's rates; and, I admit, it saves me a lot of time and research. Usually, however, other tellers are understandably reluctant to share. The stock answer is, "It depends." And so I do all the work that Katie Knutson so kindly details in her article. In the process, I usually am given contact information for possible venues, which nearly always results in work that leads to more work.
Whenever a fellow storyteller contacts me about fees, I share freely. I consider that part of my contribution to the storytelling community. As far as I know, that has never worked against me.
Sunday, July 20, 2014
© Linda Goodman July 2014
When I was looking for accounting work a few years ago, many of my interviewers asked me what my greatest strength was.
That got me started to thinking about reviews I had received on my previous jobs. My manager at the last corporation I had worked for said that my greatest strength was my dedication to my job. She never had to worry about whether or not I would get the job done.
My manager at a government agency that I had worked for claimed that my greatest strength was that I was aggressive. I had been hired to work on a computer system that dated back to the 1960s. Only one person in the department knew how to use the system, and he was under such a tight deadline that he did not have time to teach me. He did give me a name, though, of someone in the technology department who was an expert. I found that man and actually stalked him until he finally made time to give me the information I needed to do my job. My manager loved the way I handled the situation. “You know what you need, and you’re not afraid to do whatever is necessary to get it,” he proudly declared.
I disagreed with both assessments of my strength. My greatest strength, I believed, was patience.
From 2001 – 2008, I worked in the General Accounting Department of an international corporation. On my first day in this department, I was assigned the responsibility of completing and recording the daily Cash Journal, a document that compiled the miscellaneous receipts from more than 600 branch offices around the country. I was told that my predecessor took the better part of a day to complete the task. By automating manual functions that had been dinosaurs for years, I was able to reduce the time taken to do the entry to no more than an hour a day. My manager was so pleased that he told me to teach someone else to do the Cash Journal. He had other projects in store for me.
Around that same time, two young women, Donna and Betty (not their real names), were transferred into General Accounting from a department that had been closed. Neither of these young women were accountants, but there was lots of filing to be done and they did it. Donna confided in me that she was afraid that if she did not develop some computer skills, she would eventually lose her job. I did not say anything to her, but I believed that she was right.
I told my manager that I would like to teach Donna to do the Cash Journal. He shook his head and said, “Absolutely not. She isn’t capable. Teach Betty.”
I taught Betty, who learned the job quickly, but had difficulty finding the time to get it done. Donna, on the other hand, had a problem finding enough work to fill eight hours a day.
One day I asked Donna to go to lunch with me. I told her that if she was willing to do it on her own time, I would teach her to do the Cash Journal. She was ecstatic!
After that, we spent our lunch hour each day doing the Cash Journal at her desk. Others who worked in the department told me I was wasting my time. One of them had tried to teach Donna to do a simple journal entry, but without success. She and the others declared that Donna was unteachable.
My observations were that Donna was a smart girl who had no confidence. So many people had told her that she was “slow” that she believed it. I made up my mind that I would not give up on her.
We worked together for weeks. At first, she was so scared of the computer that her hands shook as soon as they neared the keys. I reminded her that I was right beside and that there was nothing she could do that could not be fixed. I don’t think she believed me, but she made enough mistakes that I was able to prove it to her. Once that happened, the mistakes stopped. Finally, one morning I told her I was going to stay at my desk while she did the Cash Journal. She panicked. I assured her that all she had to do was dial my extension when she needed help, and I would come to her desk right away.
For the next few weeks, I got multiple calls every day. My own work began to get behind, and I came close to losing my patience a time or two, but I am awfully glad that I stayed the course. All Donna’s hard-earned confidence would have disappeared in an instant if I had lost my temper.
Eventually the frantic phone calls stopped. I checked her Cash Journals every day. I never found even one mistake. That could not be said about others who had once been assigned this journal; including me.
I showed Donna’s work to my manager and asked if the responsibility for the Cash Journal could be assigned to her. He was amazed, and a strong enough man to admit that he had misjudged Donna! Donna got the job.
Donna went on to take computer classes at a local technical school. She became a great asset to the department. My patience was eventually rewarded with a nice raise.
Patience made it possible for someone who was perceived as unteachable to learn new skills that benefited both her and the company. Betty was able to stop working overtime once Donna was given the Cash Journal responsibility. Donna was commended for her continually excellent work and was assigned more responsibility; enough to be given the title of Accounting Clerk. The company saved money as the department’s work was done more efficiently and at a lower pay grade.
When I told one of my interviewers that I thought patience was my biggest strength, he said that he perceived patience as a weakness. After I shared Donna’s story with him, he admitted that he had never thought of patience as an asset on the job. I did not get the job with this interviewer’s company, but I had given him something to think about. Patience is, indeed, a virtue.